Primordial was painted to remember myself after a heartbreaking season — a return to strength, intuition, and the power that radiates from the womb. This piece carries spiritual force: elements, chakras, heat, and renewal woven together through every layer. It is deeply personal, fiercely independent, and created with nearly every medium I own, building a living ecosystem of color, texture, and energy.
Title: Primordial
Year: 2026
Medium: Acrylic paint, Acrylic ink, Watercolor concentrate, Watercolor ink, Alcohol ink, Texture mediums, Procion dye, Drawing ink, Fountain inks
Surface: Stretched canvas
Dimensions: 48 × 24 × 1.5
Price: $1,480
Original: One‑of‑one
Signed on the back
Sealed for longevity
Ready to hang
Ships securely from Fall City, WA
Includes a BookEnd.Studio collector card
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
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AfterBurn was created during the same emotional phase as Fury — fire, anger, purification, release, acceptance, and the first glimpse of light at the end of the tunnel. Made entirely without brushes, using only a hairdryer to move concentrated watercolor, alcohol ink, acrylic ink, and drawing ink, this piece carries the raw intensity of that moment. It is the aftermath of heat — truth reshaping itself, molten color collapsing and dripping like a fire that refuses to die.
Title: AfterBurn
Year: 2026
Medium: Concentrated watercolor, Alcohol ink, Acrylic ink, Drawing ink
Surface: Stretched canvas
Dimensions: 30 × 24 × ¾
Price: $1,200
Original: One‑of‑one
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Includes a BookEnd.Studio collector card
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
Life and Death 2026 — Gallerium Jun 11 – Aug 11, 2026
Conflict & Consequences — L7 Gallery 2026 Awarded Third Place
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Fury was born in the back of my car in a Michael’s parking lot — a moment of overwhelming emotion that refused to wait for a studio. I painted covered in color, letting everything break open at once. This piece carries that rupture, that release, and the pride of creating something powerful in the middle of chaos. Fury is the reminder that some moments demand to be made immediately, exactly where you are.
Title: Fury
Year: 2026
Medium: Clay, Acrylic paint, Alcohol ink, Spray paint, Dirt
Surface: Stretched canvas
Dimensions: 48 × 36 × 1.5
Price: $2,800
Original: One‑of‑one
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Includes a BookEnd.Studio collector card
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Betrayal was created in the same heart‑wrenching season as Fury and AfterBurn — a time filled with hurt, indecision, anger, and the kind of pain that forces transformation. Made passionately and entirely by hand using charcoal, oil paint, and gold ink, this piece carries the moment a truth breaks open. It is the fracture — the split between what was and what must be — where heat meets shadow and everything radiates outward.
Title: Betrayal
Year: 2026
Medium: Charcoal, Oil paint, Gold ink
Surface: Stretched canvas
Dimensions: 48 × 48 × 1.5
Price: $3,500
Original: One‑of‑one
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Ships securely from Fall City, WA
Includes a BookEnd.Studio collector card
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I began this piece by building the background, not yet knowing what it would become. During Women’s History Month, when calls for feminine strength were everywhere, the inspiration clicked — the background I’d already created was the perfect foundation for the image I wanted to make. Sisterhood grew from that moment, a reminder of how powerful women become when they rise together.
Title: Sisterhood
Year: 2026
Medium: Ink
Surface: Stretched canvas
Dimensions: 24 × 24 × ¾
Price: $950
Original: One‑of‑one
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Includes a BookEnd.Studio collector card
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Pulse of the Flame was an exploration of inks and movement — a study in how color can feel molten, alive, and rising. As I worked, the piece took on a sensual, fire‑like energy, as if something needed to ignite from within the black canvas. It carries that heat, that urgency, and the feeling of a flame finding its pulse.
Title: Pulse of the Flame
Year: 2026
Medium: Ink
Surface: Black stretched canvas
Dimensions: 24 × 36 × ¾
Price: $1,250
Original: One‑of‑one
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Includes a BookEnd.Studio collector card
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Colors of Emotion - Palm Gallery
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Seaweed is part of the Recycled Rain Series — a piece created entirely in the rain, with no studio touch‑ups beyond varnish. Watching the inks flow across the canvas was mesmerizing, the water guiding every movement and forming organic, sea‑like shapes on its own. Watercolor ink, acrylic ink, fountain ink, and Bombay ink layered together through rainfall, creating a natural, fluid composition that feels alive.
Title: Seaweed
Year: 2025
Medium: Watercolor ink, Acrylic ink, Fountain ink, Bombay ink
Surface: Reclaimed stretched canvas (Recycled Rain Series)
Dimensions: 18 × 24 × ¾
Price: $750
Original: One‑of‑one
Created entirely outdoors in the rain
Signed on the back
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Ready to hang
Ships securely from Fall City, WA
Includes a BookEnd.Studio collector card
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
Abstract Zone 2026 — Gallerium May 7 – Jul 7, 2026
Artistonish Magazine — Issue #70 (May 2026) Feature on page 42
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Molten Grace is part of the Recycled Rain Series — a canvas that lived multiple lives before becoming what she needed to be. She went through several transformations, but she always demanded red. As the rain interacted with the surface, her form began to emerge, revealing the molten movement that defines her. Rain‑formed textures created the foundation, and layers of procion dye, fountain ink, drawing ink, acrylic ink, and concentrated watercolor built the flowing, heat‑driven energy at her core. She’s the moment transformation becomes clarity.
Title: Molten Grace
Year: 2026
Medium: Procion dye, Fountain ink, Drawing ink, Acrylic ink, Concentrated watercolor
Surface: Reclaimed stretched canvas (Recycled Rain Series)
Dimensions: 18 × 24 × ¾
Price: $750
Original: One‑of‑one
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Includes a BookEnd.Studio collector card
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
Chromatic Restraint — SlipStitch Gallery Jul 10 – Aug 28, 2026 — Seattle, WA
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Aurora Vox is part of the Recycled Rain Series — a body of work created on reclaimed canvases that were gessoed, renewed, and transformed. I used the rain to shape the background, letting water, ink, and gravity create organic patterns before building the rising form on top. Acrylic ink, watercolor, oil paint, and Bombay ink layer together to create a textured, radiant composition that feels both grounded and atmospheric.
Title: Aurora Vox
Year: 2026
Medium: Acrylic ink, Watercolor, Oil paint, Bombay ink
Surface: Reclaimed stretched canvas (Recycled Rain Series)
Dimensions: 18 × 24 × ¾
Price: $750
Original: One‑of‑one
Signed on the back
Sealed for longevity
Ready to hang
Ships securely from Fall City, WA
Includes a BookEnd.Studio collector card
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
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Space Lady went through multiple transformations — nothing felt right until the ink finally took over. She’s part of the Recycled Rain Series, created on a reclaimed canvas shaped by water, weather, and intuition. Swirling layers of blue, green, yellow, brown, and red rise through rain‑formed textures, accented by bright streaks that feel like motion, orbit, and emergence. She’s the moment the piece finally revealed who she wanted to be.
Title: Space Lady
Year: 2026
Medium: Acrylic paint, Acrylic ink, Bombay ink, Fountain ink, Alcohol ink, Watercolor, Watercolor ink
Surface: Reclaimed stretched canvas (Recycled Rain Series)
Dimensions: 18 × 24 × ¾
Price: $750
Original: One‑of‑one
Signed on the back
Sealed for longevity
Ready to hang
Ships securely from Fall City, WA
Includes a BookEnd.Studio collector card
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
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Vibrant Kingfisher was inspired by a photograph that stopped me in my tracks — the colors, the posture, the intensity. It’s part of the Nightshift Series, a collection of more intricate ink works created during quiet, focused hours. Bombay ink, acrylic ink, and fountain ink layer together to build movement, detail, and the luminous color that makes kingfishers so striking.
Title: Vibrant Kingfisher
Year: 2026
Medium: Bombay ink, Acrylic ink, Fountain ink
Surface: Paper
Dimensions: 10 × 7
Price: $315
Original: One‑of‑one
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Ready to frame
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
Second Annual Juried Art Show — Picket Fence Art Studio 2026
Spring Small Works Show — Art Gallery of SnoValley 2026
Gallery North Small Works Show — Gallery North 2026
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Aurora Ursa was inspired by an intimate moment between a mama bear and her cub — a quiet sweetness that stayed with me. The swirling forms echo the doodles I’ve made since childhood, while the musculature and body shapes let me explore the strength and softness of bears. Aurora Borealis influences the patterning, giving the piece its celestial glow. Bombay ink, watercolor ink, fountain ink, and sumi ink layer together to create a luminous, night‑driven study full of movement and tenderness.
Title: Aurora Ursa
Year: 2026
Medium: Bombay ink, Watercolor ink, Fountain ink, Sumi ink, Gold ink accents
Surface: Paper
Dimensions: 10 × 7
Price: $350
Original: One‑of‑one
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Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
Exhibizone EGP 2026 - Gallerium Aug 7-Oct 7, 2026
Novum Artis — Issue 013 Feature on page 14
Gallery North Small Works Show — Gallery North 2026
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Moth Lady was inspired by a girls’ trip to the Oregon coast — Cannon Beach, Youngs River Falls, and one unforgettable night when a majestic moth stayed with us. The piece blends surreal nature, coastal energy, and the feeling of being held by the landscape. It was also a turning point in my practice, where I experimented with new techniques that carried forward into much of my later work.
Title: Moth Lady
Year: 2025
Medium: Acrylic paint, Bombay ink, Acrylic ink, Oil paint
Surface: Stretched canvas
Dimensions: 24 × 30 × ¾
Price: $1,250
Original: One‑of‑one
Signed on the back
Sealed for longevity
Ready to hang
Ships securely from Fall City, WA
Includes a BookEnd.Studio collector card
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
BOAPS Summer 2026 — Biafarin Jul 1 – Oct 1, 2026
Earth 2026 — Exhibizone Apr 22 – Jun 22, 2026
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Marrow Queen is the most recent work in the Bone Series and the piece that became my logo. She began with intersecting shoulder blades — anatomical forms I’ve always loved — and when I overlapped them, a moth‑like queen emerged. I guess I do have a thing for moths. This was the first time I took one of my Bone Series works into the digital space, outlining, refining, and playing until her final form arrived. She carries sweeping scapulae wings, a quietly regal stance, and the feeling of metamorphosis and constancy all at once.
Title: Marrow Queen
Year: 2025
Medium: Watercolor
Surface: Paper
Dimensions: 11 × 14
Price: $550
Original: One‑of‑one
The official BookEnd.Studio logo artwork
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Novum Artis — Issue 013 Feature on page 15
Artistonish Magazine — Issue #72 (July 2026)
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Quiggley is a thoughtful remake of Question Mark — the very first Bone Series painting and the moment my art path began. About three years separate the two works, and Quiggley carries all the growth, refinement, and clarity that came with that time. He embraces the intersection of anatomy and nature, exploring the ongoing dialogue between structure and environment. Where Question Mark asked the first question, Quiggley answers it with confidence, maturity, and surreal elegance.
Title: Quiggley
Year: 2025
Medium: Watercolor
Surface: Paper
Dimensions: 16 × 12
Price: $750
Original: One‑of‑one
Remake of Question Mark, the origin of the Bone Series
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Life Forms 2026 — Gallerium Apr 11 – Jun 11, 2026
Woodinville Sip & Stroll — Woodinville Arts Alliance (2025)
Novum Artis — Issue 012 Feature on page 25
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Couldn’t Leave Whale Enough Alone is part of the Nightshift Series — a piece that taught me when to stop. I kept correcting and adjusting until I realized I was risking the painting itself. Accepting it as it was became part of its story. Watercolor concentrate, watercolor ink, Bombay ink, acrylic ink, and fountain ink layer together to create a luminous whale study that shows both refinement and restraint — the moment an artist chooses preservation over perfection.
Title: Couldn’t Leave Whale Enough Alone
Year: 2025
Medium: Watercolor concentrate, Watercolor ink, Bombay ink, Acrylic ink, Fountain ink
Surface: Paper
Dimensions: 10 × 7
Price: $280
Original: One‑of‑one
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Gallery North Small Works Show — Gallery North 2026
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Hoot Did That began with an owl whose eyes looked so heartbreakingly sad that I couldn’t let him go. The expression pulled me in, and the intricate feathers and speckling became a way to soften that sadness into quiet wisdom. Part of the Nightshift Series, this piece layers Bombay ink, watercolor ink, acrylic ink, and fountain ink to create depth, texture, and a moonlit stillness that feels both peaceful and knowing.
Title: Hoot Did That
Year: 2025
Medium: Bombay ink, Watercolor ink, Acrylic ink, Fountain ink
Surface: Paper
Dimensions: 10 × 7
Price: $280
Original: One‑of‑one
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Spinal Cleansing came from a creative block — one of those moments where nothing felt quite right. It pushed me to experiment with new brush techniques, new blending approaches, and new ways of letting watercolor behave. As I worked, the spine began to feel like it was being pulled into water, washed, stripped down, and renewed. It became a piece about shedding what no longer serves, about the slow sloughing away of old layers, and about the quiet cleansing that happens before transformation.
Title: Spinal Cleansing
Year: 2024
Medium: Watercolor
Surface: Paper
Dimensions: 11 × 14
Price: $750
Original: One‑of‑one
A pivotal Bone Series Evolution piece
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Novum Artis — Issue 011 Feature on page 80
Woodinville Sip & Stroll — Woodinville Arts Alliance (2025)
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Northern Pass came from a season of transition — that feeling of moving through cold, open air toward something clearer. I built this piece slowly, letting the layers settle into a sense of forward motion and quiet determination. It carries the energy of crossing into a new landscape, one shaped by resilience and the willingness to keep going.
Title: Northern Pass
Year: 2026
Medium: Acrylic paint, Ink
Surface: Stretched canvas
Dimensions: 24 × 18 × ¾
Price: $750
Original: One‑of‑one
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Includes a BookEnd.Studio collector card
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Here and Now 2026 — Gallerium × Biafarin May 30 – Jul 30, 2026
BOAPS 2026 — Gallerium × Biafarin Mar 19 – Jun 19, 2026
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Nautilus was my first true step into abstract, mixed‑media work — playful, exploratory, and full of movement. I created it as a way to let go of rules and trust the process, discovering color, flow, and intuition in a new way. This piece marks the beginning of my abstract journey, the moment everything opened up.
Title: Nautilus
Year: 2025
Medium: Procion dye, Watercolor, Alcohol ink, Acrylic ink, Watercolor ink, Bombay ink
Surface: Stretched canvas
Dimensions: 24 × 36 × ¾
Price: $1,250
Original: One‑of‑one
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Includes a BookEnd.Studio collector card
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Dynamix 2026 — Gallerium × Biafarin Mar 28 – May 28, 2026
Sip & Stroll 2025 — Woodinville Arts Alliance Local exhibition, 2025
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Strata was created during a quiet, meditative moment — just watching inks and paints flow, settle, and shift. The gentle rhythm of color became its own kind of grounding, a small study in movement and calm. It’s one of the early pieces where abstraction began to feel natural, intuitive, and deeply soothing.
Title: Strata
Year: 2025
Medium: Watercolor, ink
Surface: Paper
Dimensions: 10 × 14
Price: $750
Original: One‑of‑one
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Water World 2026 — Gallerium Feb 26 – Apr 26, 2026
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Hand of Bounty was my first published artwork — the piece that opened the door and showed me my Bone Series belonged out in the world. I struggled with this one, especially the details. The berries, the vines, the skeletal hand… everything felt like it needed to be perfect, and that made the process frustrating at times. But the struggle became part of its story. It’s a quiet forest moment: a skeleton hand gently holding blackberries in warm afternoon sunlight, where nature and anatomy meet in a soft, unexpected harmony.
Title: Hand of Bounty
Year: 2025
Medium: Watercolor
Surface: Paper
Dimensions: 15 × 11
Price: $550
Original: One‑of‑one
First published artwork — milestone provenance
Bone Series Evolution era
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Novum Artis — Issue 011 Feature on page 81
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Wunderland is a skull that holds a world — my world. I was proud of this one, especially the shading; it was the first time I felt like I was truly getting the Bone Series depth and softness right. Inside the skull is the place I want to be: a rainy, mossy trail near my home that I love hiking in winter. I love rain — clearly — and I wanted the interior landscape to feel like a private fantasy realm carved into bone.
Title: Wunderland
Year: 2025
Medium: Watercolor
Surface: Paper
Dimensions: 15 × 11
Price: $500
Original: One‑of‑one
One of the most personal Bone Series works
Shading breakthrough piece
Rainy‑trail fantasy world carved inside a skull
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Sea Foot was my first accepted artwork into an exhibition — the first time I ever tried submitting, and the first time someone said yes. It’s part of the Bone Series, but it carries a playful ocean spirit inspired by my kids. I loved exploring how anatomy could merge with sea life, letting bright colors, drifting kelp, and underwater movement wrap around the skeletal foot. It’s a piece about curiosity, family inspiration, and the joy of discovering new worlds inside familiar forms.
Title: Sea Foot
Year: 2024
Medium: Watercolor
Surface: Paper
Dimensions: 12 × 9
Price: $500
Original: One‑of‑one
First Bone Series piece ever accepted into an exhibition
Inspired by your kids
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Fall Small Works Show — Art Gallery of SnoValley (2024)
Woodinville Sip & Stroll — Woodinville Arts Alliance (2024)
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Yuletide Murder did not turn out the way I planned — at all. I wanted the ribcage to feel like a cave lit by fire, with glowing branches and cave‑painting influences. I researched cave art, imagined warm flickering light, and thought I could pull it off. But the piece had other ideas. I was listening to Krampus while painting, and somewhere along the way the crows took over, the glow shifted, and the whole thing leaned into a strange holiday mood. It’s a Bone Series piece born from creative misfires, eerie winter energy, and the unexpected places art goes when you let it.
Title: Yuletide Murder
Year: 2025
Medium: Watercolor
Surface: Paper
Dimensions: 11 × 14
Price: $400
Original: One‑of‑one
Bone Series Canon era
Inspired by cave paintings, winter hikes, and Krampus audio
A “divergent intention” piece — collectors love these
Signed on the back
Sealed for longevity
Ships flat with protective backing
Includes a BookEnd.Studio collector card
Ready to frame
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
Shipping
Ships from Fall City, WA
Packaged flat with rigid backing
Tracking provided once shipped
Please allow 5–7 business days for dispatch
Local pickup available upon request
Care
Keep out of direct sunlight for long-term color preservation
Handle paper edges gently
Frame with UV‑protective glass for best longevity
So Humerus was painted in spring, when the cherry trees were blooming and everything felt soft and new. I didn’t know exactly what I wanted from this piece at first — I just knew I wanted to paint birds, and I wanted the humerus to feel like part of the landscape instead of separate from it. The blossoms, the river, the wildflowers… they all arrived naturally. It’s a quiet Bone Series piece, one where anatomy becomes terrain and spring light settles into every corner.
Title: So Humerus
Year: 2024
Medium: Watercolor
Surface: Paper
Dimensions: 9 × 12
Price: $400
Original: One‑of‑one
Bone Series Canon era
Inspired by spring cherry blossoms
Birds were the joy‑point of the painting
Anatomy blended with landscape
Signed on the back
Sealed for longevity
Ships flat with protective backing
Includes a BookEnd.Studio collector card
Ready to frame
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
Woodinville Sip & Stroll — Woodinville Arts Alliance (2024)
Shipping
Ships from Fall City, WA
Packaged flat with rigid backing
Tracking provided once shipped
Please allow 5–7 business days for dispatch
Local pickup available upon request
Care
Keep out of direct sunlight for long-term color preservation
Handle paper edges gently
Frame with UV‑protective glass for best longevity
Femoron began on our family New Year’s walk — a tradition I love. We were on a nearby country road when I saw a tree that stopped me in my tracks. Ferns and moss cascaded down one side, the base was hollow enough for my kids to climb inside, and the trunk looked almost burned, like lightning had kissed it. I felt connected to it immediately. Afterward we wandered to the golf course, where my kids chased geese across the winter grass. All of that — the moss, the hollow tree, the cold air, the geese, the sense of wonder — found its way into this Bone Series piece. It’s a femur shaped by memory, landscape, and the quiet magic of that day.
Title: Femoron
Year: 2024
Medium: Watercolor
Surface: Paper
Dimensions: 14 × 11
Price: $425
Original: One‑of‑one
Bone Series Canon era
Inspired by a New Year’s family tradition
Features moss, ferns, hollow trees, and winter geese
Anatomy blended with lived landscape
Signed on the back
Sealed for longevity
Ships flat with protective backing
Includes a BookEnd.Studio collector card
Ready to frame
Framing available upon request — I coordinate professional framing after purchase; pricing varies by frame style.
Woodinville Sip & Stroll — Woodinville Arts Alliance (2024)
Shipping
Ships from Fall City, WA
Packaged flat with rigid backing
Tracking provided once shipped
Please allow 5–7 business days for dispatch
Local pickup available upon request
Care
Keep out of direct sunlight for long-term color preservation
Handle paper edges gently
Frame with UV‑protective glass for best longevity
Fall of TibFib is one of my earliest Bone Series works — a Roots piece where I first started experimenting with shading inside the bone. The Bone Series was very seasonal for me, and this one came from my love of autumn and nighttime forests. I was inspired by the fall woods near my home, and I even painted my dog into the scene — she had a wolf‑like presence that fit the mood perfectly. It’s an early exploration of atmosphere, bone, and the quiet wildness of the season.
Title: Fall of TibFib
Year: 2023
Medium: Watercolor
Surface: Paper
Dimensions: 14 × 11
Price: $325
Original: One‑of‑one
Early Bone Series Roots era
Autumn forest inspiration
Signed on the back
Sealed for longevity
Ships flat with protective backing
Includes a BookEnd.Studio collector card
Ready to frame
Framing available upon request
Juried Fall Show — Skagit Artists (2024)
Ships from Fall City, WA
Packaged flat with rigid backing
Tracking provided
Dispatch in 5–7 business days
Local pickup available
Frame with UV‑protective glass for best longevity
Hippy Summer was painted in the warmth of summertime, and it hit close to home in a way few early Bone Series pieces did. I loved playing with the organs and structures of the torso — especially the tree‑spine — and letting them merge with a sunset over the mountains. I added gray tones in the hips as a reflection of my own hip replacements, a quiet nod to the progress and relief that gave me a new lease on life. This piece is about joy, healing, and being present in a body that finally feels like it can move without chronic pain.
Title: Hippy Summer
Year: 2023
Medium: Watercolor
Surface: Paper
Dimensions: 11 × 14
Price: $300
Original: One‑of‑one
Bone Series Roots era
Tree‑spine motif + organ play
Sunset over mountains
Early exploration of anatomical storytelling
Signed on the back
Sealed for longevity
Ships flat with protective backing
Includes a BookEnd.Studio collector card
Ready to frame
Framing available upon request
Shipping
Ships from Fall City, WA
Packaged flat with rigid backing
Tracking provided
Dispatch in 5–7 business days
Local pickup available
Care
Keep out of direct sunlight
Handle paper edges gently
Frame with UV‑protective glass for best longevity
Hand of Night is one of my favorite pieces from the Roots era. I had so much fun researching nocturnal animals for this one — and I was genuinely proud of my owl. I played with different colors in the vines and experimented with moonlight, letting the whole piece lean into nighttime mystery. Even though it’s early in the Bone Series, it carries a confidence and curiosity that still feels true to my work today.
Title: Hand of Night
Year: 2023
Medium: Watercolor
Surface: Paper
Dimensions: 9 × 12
Price: $300
Original: One‑of‑one
Roots‑era Bone Series
Features a researched nocturnal owl (a proud early achievement)
Early experimentation with moonlight + vine colorwork
Strong atmospheric identity
Signed on the back
Sealed for longevity
Ships flat with protective backing
Includes a BookEnd.Studio collector card
Ready to frame
Framing available upon request
Ships from Fall City, WA
Packaged flat with rigid backing
Tracking provided
Dispatch in 5–7 business days
Local pickup available
Frame with UV‑protective glass for best longevity
RadUln Drift is one of the earliest Bone Series pieces, and at the time it felt forced — mostly because I didn’t yet know how to paint what I wanted to express. But the heart of it was real. I was homesick for Alaska, remembering certain places in Juneau that made me feel free, peaceful, and solitary in a way I rarely felt while living there. This piece became an homage to my roots — a quiet nod to where I grew up and the landscapes that shaped me, even before I knew I was an artist.
Title: RadUln Drift
Year: 2023
Medium: Watercolor
Surface: Paper
Dimensions: 9 × 12
Price: $275
Original: One‑of‑one
Early Bone Series Roots era
Inspired by homesickness for Alaska
Emotional homage to Juneau landscapes
Shows early attempts at anatomical–landscape fusion
Signed on the back
Sealed for longevity
Ships flat with protective backing
Includes a BookEnd.Studio collector card
Ready to frame
Framing available upon request
Ships from Fall City, WA
Packaged flat with rigid backing
Tracking provided
Dispatch in 5–7 business days
Local pickup available
Frame with UV‑protective glass for best longevity
Sunken Treasure Chest was one of the very first Bone Series pieces — likely the second one I ever made. I had fun painting the ocean (apparently a theme that stuck with me), but I struggled with the background and the coral inside the chest. It was early experimentation, early problem‑solving, early “just keep going.” And it made it through. Even in its simplicity, it carries the beginnings of my ocean–anatomy fusion and the curiosity that shaped the entire series.
Title: Sunken Treasure Chest
Year: 2023
Medium: Watercolor
Surface: Paper
Dimensions: 14 × 11
Price: $325
Original: One‑of‑one
One of the earliest Bone Series works (likely #2)
Early ocean–anatomy fusion
Shows foundational experimentation with coral, water, and bone
Signed on the back
Sealed for longevity
Ships flat with protective backing
Includes a BookEnd.Studio collector card
Ready to frame
Framing available upon request
Skull & Bones III — Memento Mori Gallery & Tattoo (Oct 2024)
Ships from Fall City, WA
Packaged flat with rigid backing
Tracking provided
Dispatch in 5–7 business days
Local pickup available
Frame with UV‑protective glass for best longevity
Question Mark is the start of everything — the catalyst for my art passion and the beginning of the Bone Series. One night I just felt like drawing, even though I’d never really drawn before. I didn’t know what to make, so I put down a big question mark and started doodling. Then a skull appeared, then a spine, then pieces of the brain — and without realizing it, I fused my love of anatomy, biology, and research into a single spontaneous moment. I was terrified of making marks, scared I’d ruin it, but somehow I persevered. This piece is the doorway to my entire artistic journey.
Title: Question Mark
Year: 2023
Medium: Watercolor
Surface: Paper
Dimensions: 12 × 9
Price: $350
Original: One‑of‑one
The first Bone Series piece — origin artifact
Early fusion of skull, spine, and brain structures
Signed on the back
Sealed for longevity
Ships flat with protective backing
Includes a BookEnd.Studio collector card
Ready to frame
Framing available upon request
Ships from Fall City, WA
Packaged flat with rigid backing
Tracking provided
Dispatch in 5–7 business days
Local pickup available
Frame with UV‑protective glass for best longevity
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